Work in Progress
A musical diary and timesheet rolled into one. I won’t explain anything unless you ask, so throw some questions at me!
Week of 7/18
Wed (1.25 hours) – mixing
Tue (1.5 hours) – arrangement, mixing
Mon (5 hours) – arrangement, mixing
Week of 7/11 (4.75 hours)
Wed (1.75 hours) – backup vocals
Tue (1.25 hours) – backup vocals
Mon (1.75 hours) – arrangement, mixing
Week of 7/4 (13.5 hours)
Sun (1.25 hours) – arrangement
Sat (2 hours) – groove analysis, arrangement
Fri (0.75 hours) – vocals
Thu (6 hours) – vocals, reverb shootout
Wed (1.25 hours) – vocals
Tue (1 hour) – vocals
Mon (1.25 hours) – lyrics
Week of 6/27 (7.75 hours)
Sun (2.75 hours) – lyrics
Sat (1 hour) – lyrics
Fri (1 hour) – verse/chorus bass/piano
Thu (2.25 hours) – verse progression/melody, reverb
Tue (0.75 hours) – chorus progression/melody/lyrics
Week of 6/20 (7.25 hours)
Sun (1 hour) – drums reverb
Sat (2.5 hours) – assemble ideas and sounds, basic groove
Fri (0.5 hours) – scan previous ideas
“A Slip of the Finger” completed in 37 hours
Thu (0.75 hours) – mix
Wed (1 hour) – mix
Mon (1.5 hours) – mix
Week of 6/13 (13.75 hours)
Sat (0.75 hours) – mix
Fri (2.25 hours) – edit piano, mix
Thu (5.5 hours) – comp vocals, mix, record piano
Wed (2.75 hours) – record and comp vocals
Tue (1.5 hours) – comp vocals
Mon (1 hour) – comp vocals
Week of 6/6 (5.75 hours)
Sat (0.75 hours) – record vocals
Fri (1 hour) – record vocals
Thu (0.75 hours) – completed lyrics
Wed (2.75 hours) – lyrics
Tue (0.5 hours) – lyrics, 5/4 song titled “A Slip of the Finger”
Week of 5/31 (1.25 hours)
Tue (0.75 hours) – 5/4 song arrangement
Wed (0.5 hours) – finalize arrangement
Week of 5/23 (4.5 hours)
Wed (1 hour) – 5/4 song V2
Thu (3 hours) – 5/4 song V2-C2-B
Fri (0.5) – 5/4 song B-C3-E
Week of 5/16 (8.5 hours)
Mon (2.25 hrs) – learned Reaktor Prism
Tue (1 hour) – worked on 5/4 idea
Wed (1.5 hours) – 5/4 song intro-V1
Thu (1.75 hours) – 5/4 song chorus
Fri (2 hours) – 5/4 song
Week of 5/9 (2.5 hours)
Wed (2.5 hrs) – learned Reaktor Spark
Week of 5/2 (1 hour)
Tue (1 hrs) – learned Reaktor Spark
Week of 4/25 (1.5 hours)
Mon (0.5 hrs) – learned Reaktor Spark
Tue (1 hr) – learned Reaktor Spark
Week of 4/11 (6.25 hours)
Fri (1 hr) – learned Reaktor Spark, started song idea
Thu (0.75 hrs) – brainstormed lyric idea, created song template
Wed (1.5 hrs) – created drum/bass/synth clip with Stutter Edit and Reaktor Spark
Tue (1.5 hrs) – created drum/bass clip with Stutter Edit and Reaktor Prism
Mon (1.5 hrs) – create drum clip with Stutter Edit
Week of 4/4 (1 hour)
Mon (1 hr) – learn Stutter Edit
Week of 3/28 (0.5 hrs)
Tue (0.5 hrs) – watched Stutter Edit videos
Week of 3/21 (2.5 hrs) – finalize palette
Wed (1 hr) – explored Acoustic Refractions, The Finger, NI site
Tue (1.5 hrs) – explored Reaktor Spark/Prism vs. Collision/Tension, Lazerbass
Week of 3/14 (3.5 hrs) – configure Kore
Thu (1 hr) – configured Kore controller for Live
Tue (2 hr) – configured Kore controller for Massive
Mon (0.5 hrs) – installed Kore 2
Week of 3/8 (3.5 hrs) – explore Komplete 7
Wed (1 hr) – explored Reflektor, Reaktor Spark
Tue (2.5 hrs) – installed Komplete 7
Week of 3/1 (4 hrs) – ditch Bowie cover, build sonic palette
Thu (1 hr) – bookmarked folders, explored Zebra patches
Wed (2 hrs) – purchased Soniccouture Konkrete Drums 2, Flatpack Synthetik Loops, Komplete 7 update
Tue (1 hr) - listened to 20 Bowie songs suggested by fans and decided against cover



{ 22 comments }
You bet!
I listened to “It must be Halloween” – Carved Souls Whisper mix & it’s amazing!!!Thanx for sharing!
Anna x Boyzone & Europe
I’ve got a different sort of synth sound in mind – a little more organic. Hopefully I’ll have something to show soon!
I was going for cool and diffrent how about using a moog that would be neat.
Also you wife is a pretty singer ypu should let her do a song on her own.
A little too old school for my tastes.
I say the harpsaccord
Hijack away! These are totally the types of questions I’m looking for as I brainstorm what to try next. I’m not really planning much in the way of female bvox, but I haven’t really thought that far ahead! Right now I’m just trying to set down some limitations and narrow down my sonic palette.
I guess that’s why I’m listening for another voice there, you’re doing it that way already. Anyway, I know this isn’t the type of questions/comments you were looking for here, thanks for letting me hijack them.
One last: how big of a part are female back-up vocals in the next album? I’m assuming little to none.
I’m already singing in three-part harmony. How much more do you want?
I hear the backup vocals in the chorus of It Must Be Halloween, even though they totally aren’t there.
I intended female backing vocals to be a big part of that album’s sound from the start, not just an afterthought as “background” vocals sometimes are. IMHO it really gives that album an identity. It affects the lyric writing as well, as some of the songs are nearly duets.
Thanks for the kind words!
Well her voice goes perfect with yours. And I’m sure you know, since you’re the genius who wrote the songs, some songs like Behind The Rhine, it’s the backup vocals that make the song.
When I first heard The Sound, I felt like something was missing… it just complements so well, in my opinion.
I guess the only thing better than one Hazard is two?
Talk to my wife! It’s am improbable possibility.
I miss the backup vocals of Thought Chapter. Any chance we could hear more of that in the future?
I haven’t even tried it yet, so I can’t really make a strong recommendation. I’ve used Battery, but mostly raw samples. All the drums and percussion on The Thought Chapter and Second Thoughts was done with a Reaktor ensemble called Limelite.
I’m not sure how licensable (new word?) that would be. I’m pretty sure that’s not what they’re looking for.
How about covering one of his songs from the movie Labyrinth ?
Do you recommend Konkrete Drums? I don’t really have the money to buy any nice synths (yet), but I at least know a few places to find decent ones. Percussion sounds… I don’t even know where to start. What have you used in the past?
I’m going to be doing a lot of experimentation, for sure. Mostly electronic textures is my guess right now.
Hi Dear Brian!!
Wich path do you gonna make for this new record?, any chances to go back to the pure piano sound?, electronic side only? or a combination of styles??
Cheers from Mexico!!
I just may one of these days!
Hey Brian, why don´t you try to remake songs by Cammouflage, Red Flag, Cause and Effect or erasure? They will sound really magical with your voice and talent!
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