Hope you had a wonderful Christmas! We were planning to go to my sisters’ but my son Cole came down with a sudden fever and she didn’t want him infecting her kids. We ended up seeing “Cloudy With a Chance of Meatballs” at the cheap theater and having Christmas dinner at a Chinese restaurant. Cole called it “the best Christmas ever.” He woke up this morning with no fever or cold symptoms at all. It’s a Christmas miracle!
Here’s the latest batch of song snippets. Contrebass starts off with a nice vamp that has plenty of motion, but by the time the bass enters, there’s too much going on for the ear to follow. By the end, it’s a total mess. Simply put, I twisted too many knobs.
Analogics already sounds like a Color Theory song, for better or for worse. I started it with a piano melody, copied it to a new track and ran it through a reverb at 100% wet, then reversed the result. The snippet starts with the reverse reverb, then the melody mixed back in, then bass and drums, and finally a choir singing “ooh” and “aah” sidechained to the kick to make it pump.
Mr. Bandpass could be a Cirque du Soleil reject. The chord progression is too weird to make a song out of, but maybe one or two elements are salvageable. The drums sounded too skittish to enter all at once, so I snuck them in with filter automation and softened them with a heavy reverb.
That’s twelve snippets in one month, which gives me six more months to finish twelve full songs! I’m going to have to step up the production schedule. I’ll aim to post a few more this week, with a focus on melody rather than just texture.
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