<?xml version="1.0" encoding="UTF-8"?><rss version="2.0" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" > <channel><title>Comments on: Hall &amp; Oates</title> <atom:link href="http://colortheory.com/hall-oates/feed" rel="self" type="application/rss+xml" /><link>http://colortheory.com/hall-oates</link> <description>electronic indie piano pop</description> <lastBuildDate>Wed, 18 Jan 2012 18:01:27 +0000</lastBuildDate> <sy:updatePeriod>hourly</sy:updatePeriod> <sy:updateFrequency>1</sy:updateFrequency> <generator>http://wordpress.org/?v=3.3.1</generator> <item><title>By: Joe Cisneros</title><link>http://colortheory.com/hall-oates#comment-1192</link> <dc:creator>Joe Cisneros</dc:creator> <pubDate>Mon, 01 Nov 2010 14:19:00 +0000</pubDate> <guid isPermaLink="false">http://colortheory.com/?p=2084#comment-1192</guid> <description>Bird &amp; The Bee did a cover album of hits by these guys. I love it! Oh, I just saw the ending comment.</description> <content:encoded><![CDATA[<p>Bird &amp; The Bee did a cover album of hits by these guys. I love it!<br /> Oh, I just saw the ending comment.</p> ]]></content:encoded> </item> <item><title>By: Satie's Faction</title><link>http://colortheory.com/hall-oates#comment-580</link> <dc:creator>Satie's Faction</dc:creator> <pubDate>Tue, 18 May 2010 09:11:19 +0000</pubDate> <guid isPermaLink="false">http://colortheory.com/?p=2084#comment-580</guid> <description>He does use major chords sometimes though :-) Waiting for the Night and Word Full of Nothing are good examples of songs where he seems to have tried to use minor chords for as long as possible into the song, until he had to give up and throw in a major chord or two. He may not have done it consciously, though.</description> <content:encoded><![CDATA[<p>He does use major chords sometimes though <img src='http://colortheory.com/wp-includes/images/smilies/icon_smile.gif' alt=':-)' class='wp-smiley' /> Waiting for the Night and Word Full of Nothing are good examples of songs where he seems to have tried to use minor chords for as long as possible into the song, until he had to give up and throw in a major chord or two. He may not have done it consciously, though.</p> ]]></content:encoded> </item> <item><title>By: Brian Hazard</title><link>http://colortheory.com/hall-oates#comment-578</link> <dc:creator>Brian Hazard</dc:creator> <pubDate>Mon, 17 May 2010 23:47:19 +0000</pubDate> <guid isPermaLink="false">http://colortheory.com/?p=2084#comment-578</guid> <description>That&#039;s a very interesting progression! It&#039;s unusual to see so many different chords on the same root key so close together. I&#039;m sure M.L. Gore would enjoy your progression, except for that darn major chord! ;)</description> <content:encoded><![CDATA[<p>That&#8217;s a very interesting progression! It&#8217;s unusual to see so many different chords on the same root key so close together. I&#8217;m sure M.L. Gore would enjoy your progression, except for that darn major chord! <img src='http://colortheory.com/wp-includes/images/smilies/icon_wink.gif' alt=';)' class='wp-smiley' /></p> ]]></content:encoded> </item> <item><title>By: Satie's Faction</title><link>http://colortheory.com/hall-oates#comment-576</link> <dc:creator>Satie's Faction</dc:creator> <pubDate>Mon, 17 May 2010 14:33:04 +0000</pubDate> <guid isPermaLink="false">http://colortheory.com/?p=2084#comment-576</guid> <description>I also find it very inspiring to study other people&#039;s song structures. One of my piano pieces uses as many minor chords as possible, until I switch to a major chord a semitone lower than the previous (minor) one, something Mr Gore would certainly approve of! (cf. Enjoy the Silence or Little Soul).A song that caught my attention last year was Murray Head&#039;s Never Even Thought. At some  point it goes:Dm Bb Bm B7 Em Em#7 Ewhich induces an unusual (and beautiful) vocal line.Other people whose chord progressions I find very interesting include David Bowie, George Michael and a-ha.</description> <content:encoded><![CDATA[<p>I also find it very inspiring to study other people&#8217;s song structures. One of my piano pieces uses as many minor chords as possible, until I switch to a major chord a semitone lower than the previous (minor) one, something Mr Gore would certainly approve of! (cf. Enjoy the Silence or Little Soul).</p><p>A song that caught my attention last year was Murray Head&#8217;s Never Even Thought. At some  point it goes:</p><p>Dm Bb Bm B7 Em Em#7 E</p><p>which induces an unusual (and beautiful) vocal line.</p><p>Other people whose chord progressions I find very interesting include David Bowie, George Michael and a-ha.</p> ]]></content:encoded> </item> </channel> </rss>
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